Senin, 27 April 2009

The Feel-Good Noir Collection of the Summer

I'm calling it now.

Today I received an advance copy of Stark House Press's latest Harry Whittington collection, which includes three insanely rare short novels: To Find Cora, Like Mink Like Murder and Body and Passion. Whittington, of course, was the King of the Paperback during the 1950s and the author of the paperback suspense classics Web of Murder, The Devil Wears Wings and A Moment to Prey. All three were reprinted by Black Lizard in the late 1980s; all three are definitely worth hunting down and savoring. (This Harry Whittington, it's worth noting, was not the dude Dick Cheney shot in the face.)

Now I haven't read a single word of these short novels—I only received this ARC today—but the introduction alone is worth the price of the book. In it, mystery expert David Laurence Wilson talks about how he tracked down these rare finds, and it's like a pulp-nerd detective story. Sam Spade had his Maltese Falcon; Wilson has his "39 Unknowns"—namely, the 39 novels Whittington wrote under house names starting in 1960. Each were required to be 60,000 words long, and Whittington later wrote that he cranked out 39 of these suckers, month after month. Yet, he never revealed their titles. Wilson writes that it was "the beginning of a literary legend."

I won't ruin the surprise for you, but you'll be amazed how many of these Wilson pins down. Wilson's my new hero. And the three short Whittington novels, one of which has never been available in English? I consider them a bonus.

The new collection will be available this coming July. I'd pre-order this one from Stark House directly, or through your favorite indie mystery shop.

Good Morning Center City Philadelphia, Circa 1935

Just in one of those backward-gazing moods, I guess.

Kamis, 23 April 2009

Richard Stark's (and Darwyn Cooke's) Parker

I've been looking forward to Darwyn Cooke's graphic novel adaptation of Richard Stark's The Hunter ever since I heard about it last summer. Now, publisher IDW has just posted 19 sample pages on their website, and I'm pretty much in love with the whole damn thing. Can't wait to read the rest this July.

(Thanks to Robot 6 for the tip.)

Rabu, 22 April 2009

New Comics Today: The Next Fist, the Last Bishop

I've got two new comics in shops today: First up is Immortal Iron Fist #25, which is the third installment of the "Escape from the Eighth City" arc. Art is by the stunning Travel Foreman—you really haven't seen Hell until you've seen it through Travel's eyes. Anyway, you can find a bunch of preview pages right here at CBR.com.

And also out is X-Men: The Times and Life of Lucas Bishop #3: "His Name is Bishop, And Nothing Will Ever Be the Same," which will probably go down as the longest title on anything I've ever written. CBR.com also has some preview pages right here.

Kamis, 16 April 2009

Legends of the Underwood #11: Jack Kerouac

In August 1963, Kerouac became involved with a beautiful black woman, Alene Lee. She later became the model for "Mardou Fox" in The Subterraneans, which Jack wrote in three days but took five years to publish.

Harvey Pekar writing in The Beats: A Graphic History (with Ed Piskor; Hill and Wang, 2009)

(Eleventh in a series.)

Senin, 13 April 2009

Legends of the Underwood #10: Mickey Spillane

According to legend, [Spillane] wrote his first novel I, the Jury (1947) in nine days, in order to get $1,000 for a piece of land. Once, he told the house painters, he had been taking a manuscript to the publisher and lost it. That must have been awful, said the painters. “No big deal,” said Spillane, “I just typed it out again.”

from J. Madison Davis's essay on Spillane, "His 'Customers' Were the Jury," in World Literature Today.

(Tenth in a series. Image from the Life photo archive.)

Sabtu, 11 April 2009

You Ask, Secret Dead Blog Answers: Why No Comments?

A few people have emailed to ask about the blog comments being turned off; it's true. I no longer want to HEAR FROM ANY OF YOU.

Oh, I kid you. You know that.

Over the past week or so bunch of Secret Dead Blog posts have been robo-spammed with comments full of Chinese hyperlinks. I use some kind of verification thing on comments, but the spam found its way around that. Frankly, I have no idea what to do except close the comments down for a while, see if this crap goes away. (I know other blogs have had the same problem recently.)

If anyone needs me I'll be in the garage.

Paperbacks I Picked Up Today

Mickey Spillane's The Twisted Thing and Fritz Leiber's You're All Alone; both have this freaky mid-1960s black/purple horror vibe that I love.

Jumat, 10 April 2009

Legends of the Underwood #9: Dashiell Hammett

After hitting New York Hammett completed The Glass Key in what he claimed was a whirlwind of typing—the last third of the novel composed in something like one thirty-hour session.

—from Don Herron's The Dashiell Hammett Tour, recently reprinted in hardcover by Vince Emery Productions as part of their "Ace Performer" series. Highly recommended, even if you don't intend on visiting San Francisco any time soon. This little gem is packed with Hammett insights, rarities and trivia.

(Ninth in a series.)

Minggu, 05 April 2009

It's Always Punishing in Philadelphia

There's a particularly violent five-page preview of this week's Punisher MAX: Frank Castle #69 at the CBR.com website. Sharp-eyed Philadelphians will note the use of the iconic PNB building in the right panel above. There's also a sequence set in one of my favorite Philly bars in this one. Too bad that Frank completely des-... well, you'll see. Hope you'll check it out this Wednesday.

Jumat, 03 April 2009

Louis Wojciechowski, 1926-2009

My grandfather passed away just before midnight on April Fool's Day. I knew I wanted to write about him here. But I've been struggling with it, because the man was just too big an influence on my life to ever do him justice in a single post. I could write entire books about my Grandpop Lou. Parts of him have already appeared in the novels and comics I've done, and I'll probably continue writing about him until the day I die.

So instead, let me share of two Grandpop Lou stories that immediately spring to mind. For one, I was present; the other, not.

When I was about seven or eight, I was sick. Throwing up. Fever. And it just wouldn't stop. My mom decided okay, maybe this just isn't the flu, and decided to bring me to Children's Hospital. I remember mom being worried I had something called "Reye's Syndrome," a disease that hits the brain and liver. So she called her father, my Grandpop Lou, who came along with us.

Strangely, I don't remember the illness so much as being in the backseat of my mom's car on the way to the hospital. I had a blanket draped over my shoulders, and I had a little plastic container in my hands, in case I needed to throw up again. (Which I'm fairly sure I did.)

And back there with me, with his arm wrapped around me, was my Grandpop Lou.

He didn't say much. He didn't say everything would be all right. He didn't tell me to be brave, or strong, or any of that stuff.

He just held me.

I swear to God, I recall that moment with almost perfect clarity because I knew, being in his arms, I was going to be all right. My Grandpop was going to take care of me. He didn't have to say a word for me to believe it.

(He was also on hand at the hospital when the nurse came to take a blood sample, and I went absolutely fucking crazy with fear; my father and Grandpop literally had to hold me down for the nurse to stick the needle in my arm. The idea of giving blood still makes me nauseous and jittery. But that's another story.)

Anyway, it strikes me now that my Grandop Lou was like that with the entire family -- he was a kind of human bedrock that let all of us know that everything was going to be all right. Even when it wasn't. Even when my Grandmother died at a ridiculously early age (60). Even when my Grandop Lou had to bury two of his daughters, also taken at shockingly young ages.

Even in his last days, he was reassuring all of us: everything was going to be okay.

Even when it clearly wasn't.

But I know that if I somehow absorbed even a fraction of that ability, to be strong against all odds, then I'll be doing pretty well in this life.

Now the other story.

I wasn't there for this one.

It was Spring 1971. My dad, a Vietnam Vet who played in a rock band, was in love with my mother, a Catholic high school senior. That night, he'd decided to do the honorable thing and ask my Grandpop for his daughter's hand in marriage. So he walked up to my Grandpop's rowhouse, and knocked on the metal screen door.

My Grandpop was confronted by a man who looked fresh off a tour with Frank Zappa's Mothers of Invention. He had long hair that curled in places. A wispy moustache. Deep-set eyes. Extremely questionable fashion sense.

Despite this, my Grandpop let him in.

I don't know if there was much small talk, but at some point, my dad expressed his intentions toward my future mother.

My Grandpop, the story goes, looked at him.

After a long silence he said, "You want a beer?"

My future father said something like, sure, I'd like a beer.

My Grandpop shuffled to the kitchen. Opened the fridge. Took out a can. Probably a Schaefer, or a Schmidt's. Walked back to my dad. Handed him the can.

Then my Grandpop walked upstairs.

And never came back down.

Eventually, my father left. He married my mother anyway. A while later, I showed up.

And despite the fact that my very existence hung in the balance here... I mean, my dad could have been freaked and said, okay, screw this... it's one of my favorite stories about my Grandpop.

Any fool can fumble around with hundreds of words, struggling to express a point.

Real men can do it with utter silence.

(About the photo above: that's my Grandpop Lou holding me, during my first Christmas, at his house. Note my questionable early-1970s fashion sense, passed down from my father.)

Been a Hell of Week. I'll Meet You At Smith's

This is from James T. Murray and Karla L. Murray's Store Front: The Disappearing Face of New York (Gingko Press), featured in this Sunday's New York Times Book Review. This is how all bars should look. Sometimes, I think I was born 50 years too late.